Christmas at the Gallery

    A great variety of original and hand-crafted gifts are offered at The Gallery in Williams, and prices are very reasonable.   When you give a gift of fine art, you give something that holds or increases in value.  You also are supporting the arts in Northern Arizona.  Here are a few items offered in various price ranges:

$10. more or less:

Many unique Christmas ornaments,   $2.50 up

Hand-painted candle holders by Helen Gorney,  $3-5.

Small ceramic finger bowl by Alma Aispuro, $7.

Gift certificate for 4 children’s drawing classes in January,  $8 (class size limited)

Stained glass Christmas ornaments by Paula Nord,  $8

Note card sets by gallery artists,  $10.

Hand-forged nail pick for horse by Tom Williams  $10.

$20. more or less:

Assorted small scratchboard prints by Joe Richardson,  $15.

“Shut Up and Play” CD by Steve Reynolds,  $15.

“JD’s Boots” children’s book by Kris Williams  $15.

Watercolor print, “Fall”, by Mary O’Brien,   $15.

Copper wire and turquoise bead angel ornament, by Harriette Hendel,  $20.

Gift certificate for adult painting workshop in January  $20-30. (class size limited)

Spray Can Monster Sculpture by Eddie Parker,  $25.

Large graphite print of hands, “Still Life”, by Lisa Noble   $25.

$50. more or less:

Ceramic dish with lid by Joni Pevarnik,   $30.

Hand-crafted crystal bracelet with bear fetish beads by Lee Magness,   $36.

Hand-made one-of-a-kind chenille winter hat by Sandy Amazeen, $39.95

Hand-cast silver arrowhead necklace by Jack McClung,   $40.

Silver Arizona Centennial bead by Dave Rabellino,  $65.

Original painting on wood,  “Autumn Aspen”, by Bonnie Dent,   $70.

$100. more or less:

Arrowhead and turquoise bead necklace by Connie Freson    $85.

Large laminated wood cutting board, various designs, by Don Nord,    $99.

“Spools and Stars” quilt by Gretchen Neil       $100

“Calla Lily” photograph  by Jim Winbourne    $100.

“Morning Sun”, photograph on canvas by Morgan Bross  $150

And Many More Choices…

Original framed paintings, photographs and drawings by local artists

Wooden clocks, lamps and cutting boards

Wheel-thrown and hand-formed pottery

Hand-forged metal glyphs, bells and muleshoe cacti

Quilts in many colors, sizes and styles

Hand-woven scarves, coats and accessories

Wide variety of jewelry pieces made by six different artisans

Stained glass windows in various sizes

Bronze sculpture of sparring elk by Neil Logan

Enjoy shopping in Williams!!

Discover your inner artist at the Gallery in Williams

Article reprinted from the Williams News

11/8/2011 9:08:00 AM Discover your inner artist at the Gallery in Williams Local artists offering classes through November

Ryan Williams/WGCN Bonnie Dent signs a recently completed watercolor at the Gallery inWilliams. Dent will teach a watercolor class Nov. 16 from 1-3 p.m. atthe Gallery. Clara Beard Williams-Grand Canyon News Reporter WILLIAMS, Ariz. - Looking to develop your artistic side this winter? The Gallery in Williams has you covered, with lessons ingraphite drawing, watercolor, oils, clock construction and flower arranging available through theend of November. Gallery owner Tom Williams said the idea to offer art classes came about through discussions with theGallery's resident artists about what they could do to give back to the community. And, because the Coconino Community College campus in Williams is closed, the classes come as a welcome addition to the community. The classes will be small, with three or four people at the most. Pre-registration is required inorder for the instructors to plan ahead with supplies. "The small class size means really hands-on individual attention," Williams said, adding that community response has been positive, with drawing and watercolor painting being the most popular classes. Watercolor artist Bonnie Dent said the workshops are meant to be an introduction to the art world. Offerings might expand into regular weekly lessons if there is a desire from the public to learn more. Children's lessons are in the works as well, and might be offered next month. "It's all evolving. Its all a work in progress," Williams said. In the summer, pottery classes will be available, along with more of a variety of classes. If theprogram is successful, the artists are hoping to make classes a regular weekly occurrence. "Also in the works for March are featured artists," Dent said. " And we are going to be talking tothe school art teachers and devote the front window entirely to kid's art." In other Gallery news, Williams said they are implementing a supporting members group. For a yearly membership fee, members will receive a free annual print and a two percent discount on all purchases. A double discount will also be on offer when they have openings and special events. Article reprinted from the Williams News

NOTES FROM A GALLERY SITTER:

I am new to the gallery co-op idea, but it has always appealed to me.  I have enjoyed gallery-sitting these past few months.  This little town is on the way to the Grand Canyon National Park and is filled with visitors from all across this beautiful country and the big wide world.  One never knows who may be passing through the doors – I have been able to try my sadly limited foreign word vocabulary out on a number of extremely nice folks.  It is a pleasure to offer advice on restaurants, side-trips, and local road conditions.

The guests passing through are not the only benefit I have found.  It is fun to be in the presence of the great talents that Williams shelters.  I have enjoyed the positive attitudes and interesting insights of my colleagues in this business.  I am such an amateur and they give me inspiration.

I hope that everyone who is reading this note can someday come by this gallery – or there is probably another one quite similar in a place near your home – and see the spirit and hope in such a place.

Paula Nord

Meet the Artist-Don Nord

Meet The Artist - Don Nord Wood Work

What do you want to share with others in your work?

      I want to share the aesthetic of the American Arts and Crafts movement, most notably     simplicity, detail, craftsmanship, usefulness, and handwork.

http://en.wikipedia.org/wiki/Arts_and_Crafts_Movement

Which piece(s) would you never sell?

      I am not sentimental about my work.

What (or whose) other artworks do you display in our home?

      I collect pottery, literature, photographs, and some woodworks from the early 20th            century. 

How do you make time for your art?

      Woodworking is a complicated process that requires time and concentration.  That time    has to be made.

What obstacles do you overcome to create?

      Sticking with a project until it is finished can be difficult.

Are your ever bored?  How do you break out of a slump?

      I have a nice collection of books on the American Arts and Crafts Movement.  I find         inspiration from the past and modify what I like to suit myself.

Whose work inspires you?

        Charles and Henry Greene were brothers who lived in Southern California in the early      20th century.  They were architect/designers with a high regard for craftsmanship and           detail.  A majority of their works survive in splendid condition today. Their work included             small and very large homes, furniture, lighting, pottery, metalwork, glasswork and           landscape management.

     

  What other mediums interest you?

      I am learning metal working and gunsmithing.

Where are you "going" with your art?

      I have been working on pressing copper and framing the piece with nice frames.

What kind of class/workshop would you most like to attend?

      I would like to study hammered metalwork, especially copper.

How does your artistic attitude affect your day job?

      My day job is making things with wood and metal. The attitude is consistent with nice        results.

How does small-town life help/hinder your work?

      My life is in my shop. That would not be possible except with my rural, out of the city        lifestyle.

Which family members are artistically inclined?

      My wife makes art glass pieces to enhance some of my projects. 

Describe your ideal workspace.

      Everyone I know wants a bigger shop and better tools.

What are your thoughts on the co-op experience?  Is this new for you?

      My previous selling experiences have been by internet and as a symposium vendor.         The co-op is new to me.  The co-op is a stable outlet for artwork and bringing local           artists together is a good thing.  

             

Don't forget to check out Don and all of the other artists from the Gallery in Williams at: www.thegalleryinwilliams.com You can also get all of the latest news and events happening at the gallery by visiting us on FaceBook and while you're there don't forget to LIKE us. You can also post comments tell us what you would like to see. 

As always Thank you for reading

Tom Williams

Interviews done by Paula Nord 

Thank you Paula

Meet the Artist-Bonnie Dent watercolor

1.   What do you want to share with others in your work?

      I was an art teacher for 37 years, and my sharing through those years involved helping people learn what they could do with their own skills and creativity.  Now, my focus is on developing my own art, and sharing it with others.  Art is interactive…everyone looks at a piece of art through their own eyes, with their own experiences coloring what they see .  I enjoy doing realistic and impressionistic art, and then hearing what memories and feelings my art provokes in others.

2.    How do you make time for your art?

       I make time because I am excited about creating art. For many years I have put my own art on “the back burner” while my energies were used for teaching.  Now with time to paint, I am finding that I am thinking about painting and creating much more of the time.  I often get up in the middle of the night to work on an unfinished piece.  I also enjoy working on art at the gallery when not busy

3.    How does mall-town life help/hinder your work? http://www.experiencewilliams.com/

             This small town, after 40 years, seems filled with friends… supportive, caring friends.  

             Their interest and encouragement have been invaluable.   

      4.   Which Piece(s) would you never sell?

            A few pieces, not to be sold, are ones with special memories. One of these is"Rushing  

            Stream"

, my first 

with a friend, 

en plein aire painting done on location beside a rapids in 
            northern New Mexico.  It was such a joy to paint.    

          

          

  

     

5.  

  What (or whose) other artworks do you display in our home?

            My husband and I have a home filled with many artists' work including Drake Seaman,       

            David Drummond http://www.drummondart.com/ and Hopi artist, Richard Dawavendewa.  I   

            many countries and cultures, including China and Japan.  My 

have collected folk art from

            most recent acquisition is one 

of Tom Williams' bells, and I hope to add work by other   

            The Gallery in Williams  artists 

soon.

       

   

 6.

    

 What obstacles do you overcome to create?

             Time, money and organization are always challenges for me.  Since I "thrive in clutter", 

             keeping art supplies organized is a chore.  Recently we designated one room as my studio, 

             so the mess is now contained! 

         

             Speaking of challenges, one of the great amazements of life is how the medieval and  

             Renaissance painters found time to paint.  They often had to  locate their own pigments in 

             nature, grind them to make paint,and buy or make wood panels ,copper plates or woven 

             canvas just to be ready to paint.  Brushes were often home-made, too.  Boy, are we lucky.  

             If I had to do all that, then housework, a paying job,  bill-paying, shopping and child-care 

             would never get done...or more likely, painting would never get done!

      7.       Are your ever bored?  How do you break out of a slump?

            Bored? No, that is never a problem.  If I'm stuck away from my art supplies, I plan the next 

            painting in my head. I do this as I go to sleep, too.

         

Meet the Artist-Sandy Amazeen (Jewelry, Fiber...)

As promised here is the first interview in the series "Meet the Artist" By Paula Nord.

What do you want to share with others in your work?
A joy in the medium and perhaps allow others to see beauty in the everyday items around them

Which piece(s) would you never sell?
There are a few pieces of bead-work and other items that I couldn't part with because of the many hours involved or the memories attached.

What (or whose) other artworks do you display in your home?
Native American woven rugs, studio glass paperweights, a collection of my boxes and assorted hanging art I've made over the years.

How do you make time for your art?
Making time is a constant challenge, multitasking is a must and I try to work as efficiently as possible to maximize every minute.

What obstacles do you overcome to create?
Time, there's never enough time to do all the things I want to get accomplished.  Being largely self- taught there have often been times when a lack of knowledge has been frustrating but it has also led to some interesting discoveries as well.

Are you ever bored? How do you break out of a slump?
Bored? You must be joking! Being in a slump is seldom a problem as I work in so many mediums that when one doesn't sing I simply do something else for a while, then return to the project with renewed interest

Whose work inspires you?
Nature, William Morris, Ed Mell

What other mediums interest you?
Silversmithing is next on my list of things to learn.

Where are you "going" with your art?
The ideas just come to me so it's more a matter of where is the art taking me.  Would eventually like to use my lapidary work in fine silver settings, weave more rugs and add a more organic feel to my creations.

What kind of class/workshop would you most like to attend?
Silversmithing, glass blowing and who knows.

How does you artistic attitude affect your day job?
Am sometimes distracted by a distinctive pattern, coming up with a project solution or figuring out a new design idea.

How does small-town life help/hinder your work?
Limited access to artists with similar interests is a drawback which is balanced by having a nice quiet place to work?

Which family members are artistically inclined?
My uncle makes Beautiful hooked rugs and an aunt who knits lovely sweaters, makes baskets and does cross stitch on sweatshirts.

Describe your ideal work-space.
One huge room with a wall dedicated to storing my ever increasing inventory of beads, rocks, yarns and reference library.  Plenty of room for my two biggest looms (one is nearly as big as a small SUV), my jewelers bench, clay table, a lapidary station with water and more.  Maybe a warehouse would work!

What are your thoughts on the co-op experience? Is this new for your?
I've been involved with co-ops before and found them all interesting, each one was different.  The main problem I currently have is finding enough time to fit in my work shifts and fortunately, this gallery is very understanding about that.

To view some of Sandy's work check out our website thegalleryinwilliams.com

Still have questions? Post your questions for Sandy and get and answer from the artist.

"Hang em high and watch em swing"

No, this is not the 1968 Clint Eastwood film, but now that you mention it, how are we going to hang our artwork? Do we just pound holes in the walls of a 100 year old building with plaster walls? Many of the galleries we visited did just that. When they wanted to move or replace artwork... more holes and more holes. Soon your walls look like Swiss cheese. Since any holes in a plaster wall really need anchors, well, I think you begin to see our dilemma.  Coupled with wanting to have low impact on a historical building, we needed a better solution.

It was back to the streets or to the galleries anyway. Most of the galleries in Flagstaff used the pound first, ask questions later. Our timing was good,  because a new gallery opened in Flag. Its name is Gallery 113; here is a link to their Facebook page: http://www.facebook.com/gallery113. If you look through some of their pictures you can see the artwork is suspended with stainless steel cables. We didn't really like all of  the cables, as this distracted you from the actual art.

Armed with a basic knowledge of what was out there, I hit the internet. The stainless steel cable method seemed very popular, but then I came upon a similar method that used a clear tape and, while not completely invisible, it was much less distracting. http://www.gallerysystem.com/systems/detail/clear_tape_system When you check out the link,you will find they offer both the clear tape and the cable. Something to keep in mind is the weight limit. The tape will hold up to 33lbs, and each hook holds 22lbs. So you can put more than one picture on a single tape, as you can see in the photo.

The cables hold more weight, so if that is an issue you might want cables. Another plus was that you can attach lights to the track, which is the option we went with as seen to the left. The system is easy to use and the staff at Gallery System is very helpful. They will help in your layout and order, making sure you get all of the appropriate items. One thing to remember when laying out track is to leave a 2  5/8" gap between the 6.5' sections for ease of changing things around in the future.

Please check our Facebook page for more pictures at http://www.facebook.com/pages/The-Gallery-in-Williams/219532344759410 and while there, please Like us. Also, to see more of our artists and their art don't forget our website at www.thegalleryinwilliams.com.   As always, thanks for reading. 

Posts to look forward to are Meet the Artists by Paula Nord and The Interesting People You Meet While Working in an Art Gallery in a Tourist Town by Mary O'Brien. 

Tom Williams

The Gallery in Williams