1. What do you want to share with others in your work?
I was an art teacher for 37 years, and my sharing through those years involved helping people learn what they could do with their own skills and creativity. Now, my focus is on developing my own art, and sharing it with others. Art is interactive…everyone looks at a piece of art through their own eyes, with their own experiences coloring what they see . I enjoy doing realistic and impressionistic art, and then hearing what memories and feelings my art provokes in others.
2. How do you make time for your art?
I make time because I am excited about creating art. For many years I have put my own art on “the back burner” while my energies were used for teaching. Now with time to paint, I am finding that I am thinking about painting and creating much more of the time. I often get up in the middle of the night to work on an unfinished piece. I also enjoy working on art at the gallery when not busy
3. How does mall-town life help/hinder your work? http://www.experiencewilliams.com/
This small town, after 40 years, seems filled with friends… supportive, caring friends.
Their interest and encouragement have been invaluable.
4. Which Piece(s) would you never sell?
A few pieces, not to be sold, are ones with special memories. One of these is"Rushing
en plein aire painting done on location beside a rapids in
northern New Mexico. It was such a joy to paint.
Stream"
, my first
with a friend,
northern New Mexico. It was such a joy to paint.
5.
My husband and I have a home filled with many artists' work including Drake Seaman,
many countries and cultures, including China and Japan. My
most recent acquisition is one
of Tom Williams' bells, and I hope to add work by other
Time, money and organization are always challenges for me. Since I "thrive in clutter",
keeping art supplies organized is a chore. Recently we designated one room as my studio,
so the mess is now contained!
7. Are your ever bored? How do you break out of a slump?
Speaking of challenges, one of the great amazements of life is how the medieval and
Renaissance painters found time to paint. They often had to locate their own pigments in
nature, grind them to make paint,and buy or make wood panels ,copper plates or woven
canvas just to be ready to paint. Brushes were often home-made, too. Boy, are we lucky.
If I had to do all that, then housework, a paying job, bill-paying, shopping and child-care
would never get done...or more likely, painting would never get done!
Bored? No, that is never a problem. If I'm stuck away from my art supplies, I plan the next
painting in my head. I do this as I go to sleep, too.
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